The Modern History of Exploration at Oenoanda

The Oenoanda Survey project of the British Institute in Ankara was carried out over the course of six seasons between 1974 and 1983.  The goal of the survey was to record inscriptions and fragments in and around Oenoanda, with a particular emphasis on recovering as much as possible of the philosophical inscription of Diogenes of Oenoanda.

1974

The first season in 1974 began in mid-July but was cut down from eight to three weeks due to the Cyprus crisis.  In the short time given, however, they were successful in locating and marking as much of the Diogenes’ inscription as possible, which they estimated to comprise approximately 25% of the entire thing.  They also completed a measurement of the Esplanade, began recording the non-philosophical inscriptions on site, and photographed many of the public buildings.

1975

Between 17 July and 6 September 1975 the team carried out a second season with the intent of continuing the topographical survey of the main site, completing inventories of inscriptions (both Diogenes’ and non-philosophical ones), and studying other major buildings.  Their goals were met as major structures were surveyed and incorporated into plans, 47 new fragments of the Diogenes inscription were found and inventoried, non-philosophical inscriptions were documented by Alan Hall, and major buildings were studied by Coulton, and dated to the third century AD.

1976

It became clear at this point that in order to learn more about Oenoanda excavation was advisable, and between 18 and 25 August 1976 Hall visited the site three times in order to observe the practicalities of conducting an excavation there.  One new inscription was also found belonging to the Diogenes inscription.

1977

Between 27 July and 1 September 1977 a team of eight returned to Oenoanda for a fourth season of work.  An inventory and study was made of the main buildings.  They were successful in completing a detailed survey down the acropolis hill to the early southern wall, studying the development of the site before and after the city walls, discovering ten new fragments of the inscription of Diogenes, as well as some non-philosophical fragments, and further outlining a plan for excavation.

1981

No excavation permit was granted, however, by 1981, and so during a brief fifth season other work was carried out: Coulton studied the city’s aqueduct, Smith checked, re-photographed, and recorded two new fragments of the Diogenes Inscription, and Hall studied the Mausoleum of Licinnia Flavilla and its inscription.  It was determined that further work was limited without the possibility of an excavation.

1983

The sixth season occurred between 17 and 31 August 1983.  Hall examined texts found previously and recorded new material, Coulton and Andrew Farrington continued to measure and study and more closely observe buildings of significance, and R. R. R. Smith looked at architectural details.  Three new fragments of Diogenes’ inscription were found in a nearby village, and five other inscriptions were recorded.

Nothing more was done until 1994, when Stephen Mitchell spent a week accompanied by Martin Smith, Nicholas Milner and Jeremy Rossiter to assess the potential of conducting an excavation there.

1997

In 1997, between 31 October and 9 November, Smith collaborated with İbrahim Malkoç, director of Fethiye Museum, in a small excavation on the Esplanade, primarily.  Their work produced several substantial new fragments of the philoosphical inscription as well as other discoveries.

2007

Work was again suspended until 2007, when the Deutsches Archäologisches Institut, Istanbuler Abteilung, took over responsibility for restarting the survey and excavation, under the directions of Martin Bachmann and Jürgen Hammerstaedt, in collaboration with Martin Smith and Nicholas Milner.

Fragment 41

This piece of the puzzle is another in fairly good condition with a wide expanse of undamaged text. It is alternatively numbered Cousin 6 and Usener 17. It is missing its top left hand corner, but otherwise in good condition. 

The source here is Ernst Kalinka and Rudolf Heberdey, L'inscription philosophique d'Oenoanda in the Bulletin de correspondance hellénique. Volume 21, 1897. pp. 381.

Dating of the Inscription

Martin Ferguson Smith, the main expert on the Inscription, ventures a date for the carving and installation, in a timeline on the creation and rediscovery of Diogenes' work. 

He states: "The approximate date of Diogenes’ inscription is indicated by the so-called «Demostheneia inscription», a 117-line text concerning the establishment of a musical festival at Oinoanda by C. Iulius Demosthenes in 125. The close similarity of its lettering to much of that in the philosophical inscription makes it virtually certain that it is the work of one of the stonecutters employed by Diogenes".

Source:

Fifty years of new Epicurean discoveries at Oinoanda, by Martin Ferguson Smith

CRONACHE ERCOLANESI: Bollettino del Centro Internazionale per lo Studio dei Papiri Ercolanesi e del Parco Archeologico di Ercolano, 50/2020, Naples.

The Baths of Oenoanda

There are at least two baths complexes in the city of Oenoanda. The study that covers both of these is of these Andrew Farrington's volume, The Roman Baths of Lycia - An Architectural Study.

These buildings for lack of a better descriptor are Ml1 and Mk1. These curious namings are the product of the edifices' location on a grid plan used to identify the structures in the city. 

Ml1

This structure is located on the south side of the road leading north-east from the agora towards the so-called Esplanade, and stands opposite Baths Mk1. The building, which was constructed almost entirely of local limestone, consists of a main block with a colonnaded courtyard to the south of it, both standing on a platform terraced into the lower slope of the "acropolis hill" on the north side of the city. It is delimited to the south and east by a terrace wall of polygonal masonry, which on the south side runs parallel to the main block before deviating slightly to meet the street to the south-east at a right angle; while to the north and west the hillside was held back by a massive retaining wall later incorporated in the city-wall. This retaining wall can be distinguished from the rest of the Roman city-wall by its more regular, more monumental masonry (as opposed to the city-wall's somewhat irregular, rubbly internal face).

The structure had a three-chamber row arrangement with transverse element, with adjoining palaestra (room 5 in plan below, aka Ml2), which was later remodelled. It is not known if the apsidal gallery immediately to the south east of the bath block was part of the bath complex. 

The structure was an orientation of 334º and the ground area of the bath complex is ca 290m². 

Source:Farrington

In Farrington's analysis of of the main structure he observes that: "Room1 communicates with palaestra 5 and 2. Northwesterly door between rooms  1 and 2 added at later stage (?) Room 2 communicates with room 3 by two doorways. Southwestern doorway added later (?) Room 3, small apse with single small window in north-west wall. Arch between rooms 3 and 5. Room 4, projecting doorway in north-east wall, small window immediately below springing of vault in south-east wall".  

As for the rooms' functions he posits that room 1 is an apodyterium cum frigidarium, that rooms 2 and 3 are tepidaria (?) and room 4 is a caldarium. 

He also speculates that rooms 3 and 4 have marble blocks forming the wall of plunge pools. 

Of the palaestra, he speculates that the holes in the external wall of room 2 might beam holes of a portico surrounding the palaestra (with a peristyle at some stage). At a later date a door was inserted to the north-east street with a ramp or steps up to the level of the palestra. 

In the centre of the palaestra is a sunken area 8.9m X 8.9m, surrounded by two steps. Fourteen column bases and fragments of columns (of at least 2m in original length) were found lying in the palaestra. There was also evidence of an Ionic capital and entablature. There were at least 6 inscribed statue bases.    

As for the Apsidal gallery, he notes that the north-east end of the gallery terminates in the city wall (the so-called Great Wall) dated to or after the mid third century. 

Finally, Farrington muses that the podium of the palaestra of Mk1, which is on the same orientation may also belong to the same building program.

As for the dating, he suggests ca 70-90 AD for the bath block, the palaestra might be Several era or before, with the Apsidal gallery being possibly partially post-Severan. 

Mk1 

This structure is of an entirely greater scale than the aforementioned bath structure. Indeed, in the absence of the demolished stoas of the upper Esplanade, this is the largest extant building of ancient Oenoanda, aside from the theatre.

Its location is at the north end of the podium on the north-west side of the north-east street running up from the agora. As mentioned it stands opposite the Baths at Ml1.

Farrington describes the arrangement as an adapted three-chamber row with a central room (2) set at right angles to the axes of the other rooms. He speculates that room 4 was probably not roofed. There is an impressive two-storey arcuated facade standing on a podium, rising from the palaestra. 

The palaestra was added later. The area of the bath block (including room 4)  is ca 690m².  

Source: Farrington

Farrington posits the rooms functions as: room 1 an apodyterium cum frigidarium (?), room 2 as a tepidarium, room 3 as a caldarium and room 4 as, possibly, a nymphaeum.

The largest room of all was the apsidal hall at the western end of the block. This had a width of about 14m. Ling & Hall comment that this would have demanded a vault of an unusually large span, unless there were internal divisions or supports of some form; on the possibility that the space was unroofed.

Below can be seen the current state of the arcade facing the palaestra:

Source: Ling & Hall

Noticeable in the above is the high level of the ground due to the absence of excavation of the palestra.

Below can be seen a reconstruction of how the arcade originally appeared:

Source: Ling & Hall

The colonnade of the palaestra uses free-standing pedestals for the columns.  Below can be seen an axionometric view of complex:

Source: Ling & Hall

Farrington suggests a date of the second century for Mk1 and dates the palaestra to the Severan period (due to an inscription. 

Third Baths?

There is a reference to a Baths of Opramoas in an inscription (TAM 2 no 905 XIX B 13-14), which Farrington identifies as, most likely, Mk1. Coulton comments, "The self-advertising Antonine plutocrat Opromoas of Rhodiapolis lists a donation of 10,000 denarii for a bath building at Oinoanda among his many benefactions".

Sources: 

The Roman Baths of Lycia - An Architectural Study

ISBN:9781912090662, 191209066X

Published:1995

Publisher:British Institute at Ankara

Building Mk1 at Oenoanda

Author(s): Roger Ling and Alan Hall 

Source: Anatolian Studies, Vol. 31 (1981), pp. 31-53 

Publisher: British Institute at Ankara

The Buildings of Oinoanda

Author(s): J. J. COULTON

Source: Proceedings of the Cambridge Philological Society, NEW SERIES, No. 29 (209) (1983),pp. 1-20

Publisher: Cambridge University Press